The Buzz

break free from plastic pollution act: part 1 of 3

Break Free From Plastic: part 1 of 3 High Art Fridays has joined a population of concerned citizens to support the Break Free From Plastic Pollution Act. Countries worldwide are beginning to roll out new restrictions, taxes, and other measures to help reduce plastic pollution. Many states are working to pass producer responsibility Bills. American […]

break free from plastic pollution act: part 1 of 3 Read More »

serge attukwei clottey, ghana: at framed gallery, cleveland ohio

The moment I heard Stacey Bartels, (owner at Framed Gallery in Cleveland Ohio) mention Serge Attukwei Clottey during the CAN Journal Winter 2021 launch party with Michael Gill, excitement raced through me. “Serge Attukwei Clottey in Cleveland Ohio!” I exclaimed. The chance to finally see one of my muses work in person was a dream

serge attukwei clottey, ghana: at framed gallery, cleveland ohio Read More »

HAF connects: the sustainable art of plastics panel talk

HAF Connects: the sustainable art of plastics panel talk On Wednesday, January 13th at 6pm, HAF Connects will present a panel discussion featuring several participating artists.  After a brief overview of the issue of plastic pollution, we will discuss with each artist their process for creating their Art Hats and how they now address the plastic

HAF connects: the sustainable art of plastics panel talk Read More »

the ardent thread: artists archives of the western reserve, usa

The whole is greater than the sum of its parts.  The relationship between the elements and the body of this work is an interesting one. In this exhibition, the weaving together of tradition, nontraditional materials, and ideas are precise; the aesthetics of object/subject are implicit, playful, and lively. The Ardent Thread, curated by Cleveland fiber

the ardent thread: artists archives of the western reserve, usa Read More »

carol heft “connections”: a case for inclusion

Why do we leave out so much when we study art history? Wouldn’t exposure to different cultures and aesthetic ideas benefit us all? Who determines what we study in art history books or what we see in museums and art galleries? How do critics, gallery directors, and dealers manipulate public opinion? It has been said

carol heft “connections”: a case for inclusion Read More »

“triaxial blends” at the northern clay center: with curator, angelica pozo, usa

A triaxial blend is a method of testing glaze ratios to develop new surfaces. Curator, Angelica Pozo selected three pairs of established ceramic sculptors together in collaboration. [kopa_blockquote border=”left”] Collaboration is the art of merging two or more creative energies into a powerful partnership, one that is mutually respectful/mutually responsive to each other’s input. Angelica

“triaxial blends” at the northern clay center: with curator, angelica pozo, usa Read More »

artist carol heft, usa: “war and separation” at the time of coronavirus

“War and Separation” at the time of Coronavirus [kopa_blockquote border=”left”]The universal subject of displaced families and individuals seeking refuge and homes in parts of the world that are distant and culturally different from their roots was the original theme of this exhibition. The spread of the coronavirus in recent weeks has suggested the inclusion of

artist carol heft, usa: “war and separation” at the time of coronavirus Read More »

Scroll to Top