Chris Taylor talks doodle Doodles became interesting to me a few years ago, when I coauthored a paper on a large number of them made by Samuel Beckett in the manuscript of his play, “Endgame.” Most of those doodles we’re not especially exciting, but there were a handful that were intriguing for a variety of […]
chris taylor, usa: HAF 74 the doodle show Read More »
High Art Fridays: the Sustainable Art of Plastics will open on July 6 and run through August 26 at the Beachwood Community center: 25325 Fairmount Boulevard. This exhibition is the third in-person display for this project. This show’s main feature is the display of over fifty plastic-embellished Art Hats made by local, national, and international
high art fridays: the sustainable art of plastics at beachwood Read More »
The impact of time as we know it, or don’t know it, on our work and lives is a question that both haunts and delights. How do we understand history? Is progress linear? Do artists grow in increments like Erik Erikson’s description of human development? How am I similar to or different from the person I
carol heft connections: about time Read More »
Break Free From Plastic: part 1 of 3 High Art Fridays has joined a population of concerned citizens to support the Break Free From Plastic Pollution Act. Countries worldwide are beginning to roll out new restrictions, taxes, and other measures to help reduce plastic pollution. Many states are working to pass producer responsibility Bills. American
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The moment I heard Stacey Bartels, (owner at Framed Gallery in Cleveland Ohio) mention Serge Attukwei Clottey during the CAN Journal Winter 2021 launch party with Michael Gill, excitement raced through me. “Serge Attukwei Clottey in Cleveland Ohio!” I exclaimed. The chance to finally see one of my muses work in person was a dream
serge attukwei clottey, ghana: at framed gallery, cleveland ohio Read More »
HAF Connects: the sustainable art of plastics panel talk On Wednesday, January 13th at 6pm, HAF Connects will present a panel discussion featuring several participating artists. After a brief overview of the issue of plastic pollution, we will discuss with each artist their process for creating their Art Hats and how they now address the plastic
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HAF special feature: Bouvy Enkobo, Kinshasa, DRC. “Hommage Annee, 2013, is a tribute I reflect on mothers in my community, which is a remote area and very poor. Portraits of these mothers with this pain and suffering and hoping to feed, educated their children. Cladding their families by doing field work with such concern that their
art now…as social commentary on HAF Read More »
plastic trash into art project Artist Antonio Mena (from El Salvador) joins the growing collective of HAF artists, who have answered the call to confront the global ecological disaster that adversely impacts us. Included in this HAF initiative, the Plastic Trash Into Art Project are participating artists: Taeyoun Kim (Korea), Macha Melanie (France), Mena Ange
artist antonio mena, el salvador: accumulations Read More »
For the past few years, Ron Shelton has devoted himself as curator/publisher at High Art Fridays, an online arts publication bringing artists from all over the world together under the auspices of a typical disregard for conventional aesthetics and production outside the domain of mainstream culture. In the midst of this, he has broadened his
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The whole is greater than the sum of its parts. The relationship between the elements and the body of this work is an interesting one. In this exhibition, the weaving together of tradition, nontraditional materials, and ideas are precise; the aesthetics of object/subject are implicit, playful, and lively. The Ardent Thread, curated by Cleveland fiber
the ardent thread: artists archives of the western reserve, usa Read More »
Why do we leave out so much when we study art history? Wouldn’t exposure to different cultures and aesthetic ideas benefit us all? Who determines what we study in art history books or what we see in museums and art galleries? How do critics, gallery directors, and dealers manipulate public opinion? It has been said
carol heft “connections”: a case for inclusion Read More »
A triaxial blend is a method of testing glaze ratios to develop new surfaces. Curator, Angelica Pozo selected three pairs of established ceramic sculptors together in collaboration. [kopa_blockquote border=”left”] Collaboration is the art of merging two or more creative energies into a powerful partnership, one that is mutually respectful/mutually responsive to each other’s input. Angelica
“triaxial blends” at the northern clay center: with curator, angelica pozo, usa Read More »